Alex Mirutziu, Doing Sub Thinking, 2018.
Commissioned by Block Universe in partnership with Delfina Foundation and European ArtEast Foundation.

Referencing philosophical thought, national displays of power and collective agency, ‘Doing Sub Thinking’ seeks to illustrate the performative forces at play in society. Exploring the de-personalisation of an individual within a crowd, Mirutziu will bring the audience on a journey to make manifest the intangible gaps between thought and action within group dynamics.

The performance took place in front of Concrete, the OMA-designed building shortlisted for the 2019 Aga Khan Award for Architecture.

Alex Mirutziu is based in Cluj, Romania. Mirutziu’s practice extends over a wide range of media and activities, including sculpture, drawing, poetry and performance as well as critical and curatorial projects. In his work he expands on the notions of approximation and proximity in connection to time, dislocating modes of arrival at meaning. He made a collective with a hyper-object — namely himself at 29 – and often operates within this structure. The collectives’ modus operandi is retroactive irony. For Block Universe in Dubai he will show Doing Sub Thinking; a live performance by 3 dancers, originally commissioned by Block Universe in 2018 in partnership with Delfina Foundation and European ArtEast.

Himali Singh Soin with David Soin Tappeser and Shyamant Behal, we are opposite like that, 2019.
Commissioned by Forma Arts, Frieze and Channel 4 Random Acts.

The performance ‘we are opposite like that’ is the live-scoring of the video with poetry, percussion, a harp made of emergency blanket, guitar and a string quartet.

Pairing poetry and archival material, the video recounts the tale of the omnipresent anxiety in Victorian England of an imminent glacial epoch. The disorienting fear of an invasive periphery sent shudders through the colonial enterprise, the tremors of which can be felt in contemporary times. Here, an alien figure traverses the blank, oblivious whiteness, and undergoes an Ovidian transformation into glimmering ice.

This imagery floats above an endangered, soon to be mythical, soundscape: Inspired by field recordings, an original score for string quartet makes audible the sheets of Pancake Ice smashing into each other, the long drone of a boat, the hard timbre of the wind. The tempo is controlled by her shifting latitudes, the dynamics by the temperature variances between the late nineteenth century and her recent expedition.

The performance took place at Concrete, the OMA-designed building shortlisted for the 2019 Aga Khan Award for Architecture.

Himali Singh Soin is a writer and artist based between London and Delhi. She uses metaphors from outer space and the natural environment to construct imaginary cosmologies of interferences, entanglements, deep voids, debris, delays, alienation, distance and intimacy. Singh Soin’s work we are opposite like that, 2019 will be brought to the festival by Block Universe. This video work, commissioned for the Frieze Artist Award 2019, will be staged in the form of a performance with live narration and musical accompaniment. Building on her ongoing research into remote areas of the Arctic and Antarctic circles, Soin tells these stories from the nonhuman perspective of ice, a melting fossil that has witnessed historic changes throughout time. For the project, she will also zero in on Britain and the fear of immigration during the Victorian age to try to answer questions such as: Has Britain always feared the encroachment of the outside world?

Eglė Budvytytė’s (LT/NL), Incantation Karaoke, 2018.
Commissioned by Kiasma Theater, Helsinki

Springing from ideas of ecofeminism and finding its power in song, Incantation Karaoke channels multiple beings bruised by modernity or threatened by human hubris—forms of life such as plants and animals, bacteria and fungi, which are crucial to sustaining balance in our ecologies. Through rhyme, rhythm, repetition and vulnerable presence the piece aims to draw the audience into collectivity and singing.

The performance took place at Concrete, the OMA-designed building shortlisted for the 2019 Aga Khan Award for Architecture.

Eglė Budvytytė is a Lithuanian artist based in Amsterdam. She makes videos and performance situations to explore the relationships between body, architecture, environment and audience. For Block Universe in Dubai, she presents Incantation Karaoke, a performance channeling multiple entities and ideas bruised by modernity and extractivism through a form of a song. The work explores the potential of rhyme, repetition, sonic alteration of the voice and the proximity of the performer to induce the audience into collectivity and singing.

Click here to listen.

Block Universe, London’s leading international performance art festival and commissioning body kicks off Frieze Week with Founding Director & Curator Louise O’Kelly in conversation with artist Oliver Beer, known for creating performances focussed on the relationship between sound and space, particularly the voice and architecture.

Listen in on the conversation at The Standard, London’s Library Lounge and hear more about Beer’s upcoming performances and exhibitions that will be taking place at the Louvre and the Opera Garnier this September. Previous presentations have taken place at the Palais de Tokyo, Fondation Vuitton and Centre Pompidou, Paris; The Metropolitan Museum of Art, New York; and Galerie Thaddeus Ropac, London amongst others.

Click here to listen to the recording of the talk.

You can now catch up with Performance Research Network’s roundtable discussions #2 hosted by Block Universe via the link below:

Speakers: Alex Baczynski-Jenkins (Artist), Aaron Cezar (Founding Director of Delfina Foundation) and Than Hussein Clark (Artist and founder of London Performance Studios).
Chaired by Louise O’Kelly (Founding Director and Curator of Block Universe)

You can now catch up with Performance Research Network’s roundtable discussions #1 hosted by Glasgow International via the links below:

Speakers: Paul Maheke (Artist), Ned McConnell (Curator at the Roberts Institute of Art) and Lauren Wright (Head of Programmes for Metroland Cultures), Zinzi Minott (Artist)
Chaired by Richard Parry (Director of Glasgow International)

Block Universe organised an after-show talk between Louise O’Kelly and Trajal Harrel at Lilian Baylis Studio / Sadler’s Wells after the presentation of Twenty Looks or Paris Is Burning at The Judson Church (S) during the 2016 edition of the Festival

Trajal Harrell’s current practice examines butoh dance from the theoretical praxis of voguing. This latest body of work includes Used Abused and Hung Out to Dry, which premiered at The Museum of Modern Art, where he has begun a two-year residency. An American artist, Harrell’s work has been presented at many major venues and international festivals including The New Museum, New York, Stedelijk Museum, Amsterdam, Centre Pompidou, Paris, and Art Basel-Miami Beach.